No Im Never Gonna Dance Again

1984 unmarried by George Michael

1984 single by George Michael (most territories)/Wham! featuring George Michael (Usa)

"Devil-may-care Whisper"
Careless Whisper UK single.jpg

U.k. 7" vinyl release artwork, also used for various international releases

Single past George Michael (almost territories)/Wham! featuring George Michael (United States)
from the album Get in Big
Released 24 July 1984
Studio Sarm West, London
Genre
  • New wave

Pop[1]

  • soul[2]
  • R&B[three]
Length
  • 6:30 (anthology version)
  • five:00 (single version)
Label
  • Epic
  • Columbia
  • Sony
Songwriter(due south)
  • George Michael
  • Andrew Ridgeley
Producer(s)
  • George Michael
  • Jerry Wexler (original)
George Michael (most territories)/Wham! featuring George Michael (United States) singles chronology
"Wake Me Upwardly Before You Go-Go"
(1984)
"Careless Whisper"
(1984)
"Freedom"
(1984)
George Michael (rest of the earth) singles chronology
"Careless Whisper"
(1984)
"A Different Corner"
(1986)
Music video
"Careless Whisper" on YouTube
Culling comprehend
Artwork for the US 7" vinyl release credited to Wham! featuring George Michael.

Artwork for the Us 7" vinyl release credited to Wham! featuring George Michael.

"Careless Whisper" is a song by the English vocalizer George Michael. It was written past Michael and Andrew Ridgeley[four] of Wham! and was released on 24 July 1984 on the Wham! album Go far Big.

The vocal features a prominent saxophone riff, and has been covered past a number of artists since its first release. It was released as a single and became a huge commercial success around the world. It reached number one in virtually 25 countries, selling about six 1000000 copies worldwide—two meg of them in the U.s..[5]

Background [edit]

Limerick and writing [edit]

In 1981, Michael was working as a DJ in the Bel Air restaurant most Bushey, Hertfordshire.[half-dozen] Michael explained in his autobiography, Bare, that he conceptualised "Devil-may-care Whisper" based on events from his childhood. Michael wrote, "I was on my way to DJ at the Bel Air when I wrote 'Careless Whisper'. I have always written on buses, trains and in cars. It e'er happens on journeys... With 'Devil-may-care Whisper' I think exactly where it beginning came to me, where I came up with the sax line... I remember I was handing the money over to the guy on the bus and I got this line, the sax line... I wrote information technology totally in my caput. I worked on it for about 3 months in my head."[7]

"When I was twelve, thirteen, I used to have to chaperone my sister, who was two years older, to an water ice rink at Queensway in London," he explained. "There was a girl there with long blonde pilus whose proper noun was Jane. I was a fat boy in glasses and I had a big crush on her - though I didn't stand a chance. My sister used to become and practice what she wanted when we got to the skating rink and I would spend the afternoon swooning over this girl Jane."[8]

"A few years later, when I was sixteen, I had my outset human relationship with a daughter chosen Helen," Michael continued.

Information technology had but started to absurd off a scrap when I discovered that the blonde girl from Queensway had moved in just around the corner from my school. She had moved in correct next to where I used to stand and expect for my next-door neighbor, who used to give me a elevator abode from school. And one twenty-four hours I saw her walk down the path next to me and I thought – now where did SHE come from? She didn't know information technology was me. It was a few years later and I looked a lot different. And so we played a school disco with The Executive and she saw me singing and decided she fancied me. By this time she was that much older and a big buxom thing – and eventually I started seeing her. She invited me in ane twenty-four hour period when I was waiting for my lift and I was ... in sky.[viii]

Michael observed that afterwards he stopped wearing glasses, he began getting invited to parties. "And the girl who didn't even run across me when I was twelve invited me in," he noted.

So I went out with her for a couple of months but I didn't stop seeing Helen. I thought I was beingness smart – I had gone from being a full loser to being a ii-timer. And I remember my sisters used to give me a hard time because they found out and they really liked the starting time girl. The whole idea of "Careless Whisper" was the start girl finding out about the second – which she never did. But I started another relationship with a daughter called Alexis without finishing the 1 with Jane. It all got a bit complicated. Jane plant out about her and got rid of me ... The whole fourth dimension I idea I was being cool, being this 2-timer, simply there really wasn't that much emotion involved. I did feel guilty near the outset girl – and I accept seen her since – and the idea of the song was about her. "Devil-may-care Whisper" was us dancing, because we danced a lot, and the idea was – we are dancing ... merely she knows ... and it'due south finished.[eight]

Andrew Ridgeley came upwards with the chord sequence on his Fender Telecaster he had received for his 18th birthday.[nine] They continued to work together on the music and lyric both at Michael'due south house in Radlett, and Shirlie Holliman's aunt's basement flat in Peckham, where Ridgeley was living.[9] [10]

Demoing [edit]

The original demo was recorded by local music producer Paul Mex, in January 1982 aslope those for "Club Tropicana" and "Wham Rap! (Enjoy What You Exercise)" in the front room of Ridgeley'due south habitation (his parents' lounge turned into a makeshift studio) with Mex'due south TEAC 4-runway Portastudio. Because most of the day was spent on Wham Rap!... and Ridgeley'due south female parent had returned home past that indicate, Careless Whisper had to be recorded in one accept very quickly. It featured a Medico Rhythm drum machine, an acoustic guitar (played by Ridgeley) and a bass guitar (played by Dave Due west), with Michael's song (recorded with a microphone attached to a broom handle).[11] [12] The overall cost of the recording was £xx (largely due to the rental cost of the Portastudio) and the duo landed a deal with Innervision past Mark Dean on the strength of the demos.[13] [14]

A more complete and fully realised second demo was recorded on 24 March 1982 at Halligan Ring Centre, Holloway, London with a backing band and a saxophone riff.[15] However, on the same solar day, Michael and Ridgely were called over by Dean to sign a contract in add-on to the tape deal, which they did at a nearby greasy spoon café. Michael recalls of that day:

"1 of the most incredible moments of my life was hearing 'Devil-may-care Whisper' demoed properly, with a band, a sax and everything. It was ironic that nosotros signed the contract with Mark [Dean] that day, the day I finally believed we had number-one textile. That same day we signed information technology all away. But you tin can never really know what you are capable of, you tin never actually have that foresight."[15]

Production [edit]

The vocal went through at least two rounds of production. The first was during a trip Michael made to Sheffield, Alabama, where he went to work with producer Jerry Wexler at Muscle Shoals Sound Studio in 1983.[16] [17] Michael was unhappy with the original version produced past Wexler, and decided to re-record and produce the song himself; the second version was the one ultimately released as a single.

After the bankroll track and George's vocal had been recorded, Wexler had booked the pinnacle saxophone player from Los Angeles to fly in and do the solo.[18] "He arrived at eleven and should have been gone by twelve", recalled Wham! manager Simon Napier-Bell. "Instead, later ii hours, he was still there while everyone in the studio shuddered with embarrassment. He only couldn't play the opening riff the mode George wanted information technology, the way it had been on the demo. Only that had been made two years earlier by a friend of George's who lived circular the corner and played sax for fun in the pub."[18]

While the saxophonist appeared to be playing the role perfectly, Michael told him, "No, information technology'southward still non right, yous see..." and he would lower his head to the talkback microphone and patiently hum the part to him yet again. "It has to twitch upwards a little merely there! See...? And non likewise much."[xviii]

Napier-Bell consulted with Wexler over Michael's dispute with the sax sound. "Is in that location really something George wants that's different from what the sax player is playing?" Napier-Bong asked.[18] "Definitely!" replied Wexler.

I've seen things like this earlier. In that location's some tiny nuance that the sax player is somehow non getting right. Although you and I can't hear what it is, it may be the very thing that will make the record a striking. The success of pop records is so ephemeral, and then unbelievably unpredictable, nosotros just can't take the risk of being impatient. But this sax player'south not going to get it, is he![18]

The version Wexler produced was released later in the year, equally a (4:41) B-side "Special Version" on 12" in the United kingdom of great britain and northern ireland and Japan.

The tape label Innervision was going to put out the Wexler version of "Devil-may-care Whisper" after the Society Fantastic Megamix every bit early as 1983. Song publisher Dick Leahy said that while he could not cease the release of the Club Fantastic Megamix, he could stop the release of this single on the basis that as a publisher they "have the right to grant the commencement license of the recording of a tune of which he controls the copyright". He was unable to exercise anything nearly the Society Fantastic Megamix because information technology was already released material. He said: "We knew how big that vocal could be, and then information technology was necessary to upset a few people to terminate information technology."[19] Towards the end of 1983, Michael was also committed to touring with Wham! to promote Fantastic, and so according to him it would not have made sense to release "Devil-may-care Whisper" as a solo single in the centre of the tour, despite it being part of the setlist.[20]

Michael later went back to London's Sarm Due west's Studio 2 to re-record the runway, the backbone of which was done with a live rhythm section in one accept, with "loads of stuff bunged on [overdubbed] later" as Michael added, although the experience of it was basically live.[21] [22] Michael elaborated on the vocal's production and how it turned out in the cease:

"Jerry Wexler did one recording of "Careless Whisper" with me. And so we re-mixed that, which meant re-shooting the video and then nosotros completely re-did the rails about four weeks before it was due to exist released. When we originally made it I was totally in awe of Jerry Wexler and it was the starting time time that I had ever felt like that almost anybody that I'd worked with. Usually I take trouble convincing myself that people know what they're doing. In this case I had to get drunkard in order to sing, I was so nervous. Anyway, my publisher [Dick Leahy] and I had loads of discussions almost whether the record was proficient enough for the song and whether there was plenty of me in it because information technology just did not audio like me. I said 'information technology's great. Jerry'southward done a dandy job on it', and for the outset time since nosotros'd started I was blind to what was going on because the song was already two and a half years former and I just did not take a inkling about where else I could accept it. Somewhen I just idea, 'sod this. I'm going to go in and do it as if it had never been done before with the musicians we commonly use and run into what happens.' The runway was much better because I was relaxed and I remember that our musicians did a much better job than the Musculus Shoals section". [22]

According to English jazz musician Dan Forshaw, saxophonist Steve Gregory had received a call to re-record the song's distinctive solo; he was the eleventh saxophone histrion to record the solo, for Michael was determined to get the audio he wanted.[23] "Session musicians do non have much thought what they are going to exist recording until they arrive, and this was the case for Steve and another saxophonist who was alee of him in the (queue)", Forshaw recalled.

As usual at that place was a lot of waiting around and the guy in forepart of Steve threw in the towel saying, 'it's only going to exist some crappy B side anyway and so I'm off'. Steve waited and then discovered that the solo wasn't that easy to play in the written key, as his old Selmer Mark Vi tenor didn't take a top F♯ key. So, the engineer slowed the tape downward then that Steve could tape the solo a semitone lower than intended. Once the tape was put back to the normal speed, an 'unnatural' saxophone sound was created that sounded a chip like an Alto in the Paul Desmond vibe, but lacking a bit more depth and darkness to the sound. George Michael had just arrived at the studio and said 'that'south the i, that's the sax solo I want'. This could exist down to that whole 80s synth concept where sounds became increasingly 'manufactured', or just that George never recognized it was 'wrong'.[23]

The officially released single was issued in Baronial 1984, entering the UK Singles Nautical chart at number 12. Inside two weeks it was at number i, ending a nine-week run at the top for "Two Tribes" by Frankie Goes to Hollywood.[4] It stayed at number one for three weeks, going on to get the 5th best-selling single of 1984 in the United Kingdom; outsold merely past the two Frankie Goes to Hollywood tracks, "Two Tribes" and "Relax", Stevie Wonder with "I Just Chosen to Say I Dear You", and Ring Aid'south "Do They Know It's Christmas?". The song also topped the charts in 25 other countries, including the Billboard Hot 100 in the United States in February 1985 under the credit "Wham! featuring George Michael". Spending three weeks at the top in America, the vocal was later named Billboard 'due south number-ane vocal of 1985. The song was #1 on the polish radio elevation 500 songs of all time chart – proving its iconic status.

Despite the success, Michael was never fond of the vocal. He said in 1991 that information technology "was not an integral part of my emotional development ... it disappoints me that y'all can write a lyric very flippantly—and non a particularly skillful lyric—and information technology can mean so much to so many people. That'due south disillusioning for a author."[19]

Music video [edit]

The official music video (which uses the shorter single version instead of the full album version and was directed by Duncan Gibbins, who previously directed "Wake Me Up Before Y'all Get-Go") shows the guilt felt by a man (portrayed by Michael) over an matter, and his acknowledgement that his partner (Lisa Stahl) is going to observe out. Madeline Andrews-Hodge plays the woman who lures George abroad. It was filmed on location in Miami, Florida, in February 1984[24] and features such locales as Coconut Grove and Watson Island. The final office of the video shows Michael leaning out of a top floor balcony of Miami's Grove Towers.[25] [26]

A beginning original version of the video was edited with the Jerry Wexler 1983 version, and featured Andrew as a cameo, handing over a alphabetic character to a night-haired George. This version had a more detailed storyline, but was so re-edited after.[27]

According to producer Jon Roseman, product of the video was "A fucking disaster".[28] According to Michael'south co-star Lisa Stahl, "They lost footage of our kissing scene and so we had to reshoot information technology, which I didn't complain about ... Then George decided he didn't similar his hair and so he flew his sis over from England to cut information technology and we had to reshoot more scenes."[29]

As the band felt they had "screwed up" the video, further footage of Michael singing the vocal onstage was subsequently shot at the Lyceum Theatre, London.[28] The video performance (1984 Version) was officially uploaded to George Michael YouTube channel on 24 October 2009. It has over 834 million views as of 2022.

Runway listing [edit]

All tracks are written by George Michael and Andrew Ridgeley.

7": Epic / A 4603 (United kingdom of great britain and northern ireland)
No. Title Length
1. "Careless Whisper" (Single Edit) five:04
2. "Careless Whisper" (Instrumental) five:02
12": Epic / TA4603 (Britain)
No. Championship Length
1. "Devil-may-care Whisper" (Extended Mix) vi:31
2. "Careless Whisper" (Instrumental) 5:02
12": Columbia / 44-05170 (The states)
No. Title Length
1. "Devil-may-care Whisper" (Extended Mix) 6:20
2. "Careless Whisper" (Instrumental) iv:52
12": Columbia Promotional / AS-1980 (US)
No. Title Length
ane. "Devil-may-care Whisper" 4:l
2. "Careless Whisper" iv:50
12" maxi: Epic / QTA 4603 (Britain) – Special Edition
No. Title Length
1. "Careless Whisper" (Extended Mix) vi:31
2. "Careless Whisper" (Jerry Wexler Special Version) five:34
3. "Devil-may-care Whisper" (Condensed Instrumental Version) 4:52
  • Note: The Extended Mix is identical to the album version from Get in Big.

Credits and personnel [edit]

  • George Michael – lead and backing vocals
  • Andrew Ridgeley – acoustic guitar (uncredited)
  • Steve Gregory – saxophone
  • Deon Estus – bass
  • Trevor Murrell – drums[nb 1]
  • Chris Parren – keyboards
  • Anne Dudley – keyboards [31]
  • Hugh Burns – electric guitar
  • Danny Cummings – percussion

Credits adjusted from the Extended Mix's liner notes.[32]

Charts [edit]

Certifications [edit]

Cover versions [edit]

"Careless Whisper" has been covered by many other artists. Among the most significant versions are:

  • Sarah Washington on a dance version that peaked at number 45 on the United kingdom of great britain and northern ireland Singles Chart (1993).[91]
  • 2Play produced a comprehend version in 2004. It charted at number 29 in the U.k..[92]
  • Kamasi Washington and El Debarge performed information technology to pay tribute to George Michael at the 2017 BET Awards.[93]
  • South African alternative rock ring Seether covered the song on their 2007 album Finding Dazzler in Negative Spaces. Information technology charted at number 63 in the US.[94]
  • Dutch rapper Lil' Kleine sampled the chorus for his vocal, titled "Dansen", on his most contempo album Ibiza Stories.[95]

Come across also [edit]

  • Listing of best-selling singles in the U.k.
  • Listing of number-i singles in Commonwealth of australia during the 1980s
  • List of Dutch Pinnacle 40 number-one singles of 1984
  • List of number-i singles of 1984 (Ireland)
  • List of number-one hits of 1984 (Switzerland)
  • Listing of number-one singles from the 1980s (UK)
  • List of RPM number-ane singles of 1985
  • List of Hot 100 number-one singles of 1985 (U.S.)
  • List of number-ane adult contemporary singles of 1985 (U.S.)

Notes [edit]

  1. ^ The proper name of Wham!'s drummer was Trevor Murrell.[30] He is listed on the liner notes as Trevor Morrell.

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  93. ^ Breihan, Tom (26 June 2017). "Lookout Kamasi Washington & El DeBarge Encompass George Michael At The BET Awards". Stereogum . Retrieved 11 July 2017.
  94. ^ "Seether". Billboard . Retrieved 24 April 2021.
  95. ^ "Lil Kleine Ibiza Stories". Maxazine . Retrieved 22 January 2022.

External links [edit]

  • Careless Whisper sail music PDF

pringleselven.blogspot.com

Source: https://en.wikipedia.org/wiki/Careless_Whisper

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